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We
based this walk on Walk FR/9 of Exploring the Axarquia by
Elma Thompson, 2002. All details as at 21st December 2002.
CLICK
ON IMAGE FOR LARGER VERSION
Mrs
Thompson writes that this walk is "steeped in history".
Sadly, because of the rapid pace of development in this area, we
experienced little of this. The tracks and caminos are becoming
little more than unkempt lanes leading to country properties and
building sites. They are edged with piles of garbage and abandoned
building materials. Ralph spotted , amongst the plastic bags, the
shit (animal and human?) and broken bricks a brassiere (!), two
door knobs, beer bottles, coke cans and much besides. Grist for
archaeologists of the future but not nice for those exploring the
present.
You
walk along the lane that bears left at the Restaurante Santo Cristo,
passing the ruined sugar/olive mill that is showing signs of half-hearted
restoration/conversion before meeting the firts (and really only)
challenge the route offers. At Hito 4 turn right and head up Mrs
Thompson's "short cut". The old camino has in reality
vanished, and you merely scramble up a scree-and rubbish-covered
slope down which water has cut drainage channels. There is no path.
You turn right at the top and join the Torrox Road, where you turn
left and walk on to the plastic green house you see ahead.
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The
lane leads away from Frigiliana
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The
ruined sugar/olive mill
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The
start of the short cut, on the right
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Lenore
climbs the short cut
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Phew...made
it to the top, beside the Bar El Cerro
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The
lane up to the Torrox Road
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Turning
right just after the greenhouse you follow a concrete track past
a rubbish filled quarry, ironically overlooked by posh villas, steeply
uphill. From here to the top the Camino de Frigiliana is really
a suburban lane, with unattractive houses on either side that have
appropriated the views. The Natural Park looks tempting to the right.
The until-recently deserted village of Acebuchal is now begining
to look just like every other building development in the area...
Look back at the Mediterranean and you see a horizon dotted with
huge cranes. Very sad.
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We
leave the Torrox Road just beyond the greenhouse in the distance
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The
lane skirts the Natural Park
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A
Spanish contrast posh villa at the top of the hill, rubbish
dump at the bottom
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Clouds
gather above us on El Fuerte
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A
touch of colour beside the track
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Ralph
tripping gaily along the Camino de Frigiliana
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The
view as we near Cuatro Caminos
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Algarve
and olives
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Mrs
Thompson's viewpoint, which looks down the Acebuchal Valley, is
now right next to someone's back door. The new house was unoccupied
and unfenced when we paused here, but I can't imagine the owners
will take kindly to people regularly barging into their garden to
look over the hillside.
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The
houses of Acebuchal begin to appear to the north
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The
valley opens out below us
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The
view of the Acebuchal valley that's been appropriated by a new house
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Another
shot of that view, while we can still see it...
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Heading
down the other side, along the Camino de Frigiliana, through Mallarin,
the site of the 1569 uprising
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View
from the Camino de Frigiliana
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The
track wanders down and up to the Torrox Road again. There was the
sound of loud music, people building breeze-block and concrete boxes,
a couple of old men picking olives, trucks roaring past in the distance.
Not much of a historic feeling to the site of a battle in which
2000 Moors and large numbers of Christians perished in 1569. Ho
hum.
When
you reach the road you turn left and then right at the Venta de
Frigiliana (closed on Saturdays) and down a concreted lane that
passes through some dramatic countryside, with crags and pine woods.
But then it reaches suburbia again, and the monotony of white cottages
and rubble accompanies you all the way back to Frigiliana.
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The
lane beside the Venta de Frigiliana soon plunges through some dramatic
scenery
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Crags
on the Peñones Ridge
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Olives
and
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The
view southwards
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A
crooked chimney catches Ralph's eye
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Another
little ruin
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Clouds
still pouring over the mountains
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Frigiliana
in the distance
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A
last glance back at the mountains
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TO INTRODUCTION | |